3 Common Clichés and Where They Came From

Happy Thanksgiving, y’all! (Depending on when you read this, it might be more like Happy almost-Thanksgiving.) Today, I am going to talk about three very common clichés in fiction. Surprisingly, all of them can also be found in the Bible. Not that that’s a bad thing, because the Bible isn’t fiction. It’s Truth. But it’s interesting to notice.

1. Ancient prophecies about the Chosen One.

Gosh, how many times have we seen this? It’s so common, I actually get disappointed when my favorite books do it. “Seriously? Another prophecy? I didn’t see that coming…” Prophecies are cool and all (especially in Macbeth), but really? Really? Authors can’t be a bit more creative?

And why do the prophecies always have to be ancient? Like, just why? And they’re always about some mysterious, powerful “Chosen One?”

Maybe the reason is because deep down, we long for a story like that. The earliest prophecy about Jesus actually occurred in the Garden of Eden, right after Adam and Eve sinned. And all throughout the Old Testament, we get glimpses of this Chosen One, this Messiah who is to come. There are actually hundreds prophecies about him. 

This brings us right into our next cliché…

2. The Chosen One is just your average Joe.

Once we actually meet the Chosen One (usually the main character), he’s nothing special. He’s the farmboy. The orphan. The nobody. He’s got no special powers, no magic, no knowledge of this greater world all around him, and nobody ever pays him any attention. He’s no one.

Not on the surface, at least.

Once he finds out who he really is, though… That’s when the story really starts to get exciting. By exciting, of course I mean “eye-rolling.” Because it’s so predictable.

But if we look at Jesus, the Bible actually says he was an ordinary guy. He wasn’t particularly good-looking, he was the son of a carpenter, he wasn’t rich or popular. His closest friends were fishermen, tax collectors, and other completely ordinary people.

I think you know where this is going… Jesus was also fully God, given incredible power by his Father, and he eventually saved the world. That’s putting it in the simplest possible terms, but yeah. He died, so we could live…

…which brings us to our next point:

3. If a dead body vanishes, it’s not really dead.

How many times have we seen this one? It doesn’t only apply to the Chosen One, though it certainly does many times (I won’t spoil anything, but I’m sure you can think of plenty of examples). Even villains. “Oh, is the villain dead? Bummer. Well, nobody saw his body, so… yeah, definitely alive.”

As a little side note to all the Sherlock fans out there… this is precisely why I refuse to believe Moriarty is really dead. I mean, who actually saw his body? Just Sherlock? Anyway…

Jesus, of course, was resurrected – and the story was spread that his body was stolen. Interesting, considering the Romans took practically every safety precaution imaginable…

Yeah. The bottom line is, if a dead body mysteriously disappears, then they’re not dead. Or in some cases, they’ve come back from being dead.

So that’s my take on clichés. I think it’s interesting that many of them can be found in the Bible. That just goes to show that there is only one Story, and deep down, all of us want to hear it again and again and again.

Do y’all have any Thanksgiving plans?

What do you think about clichés?

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The Writing Bubble

Ah, here we are, at the very end of summer. It sure went by fast. School’s about to start (if it hasn’t already), and it’s almost the season for pumpkin spice and apples and crunchy orange leaves and NaNoWriMo. Perfect time for writing, if  you ask me. It’s very cozy to sit in Starbucks with your laptop and the rain drizzling down the windowpane and the steam from your latte warming your face.

Writing is interesting in that it has bubbles. You know what I mean. Genres, audiences… the like. Lots of people will tell you to stay in your bubble, but those people are only concerned for your public face and not your actual self.

the writing bubble

It’s okay if you want to stay in your bubble. Lots of writers do. They find their niche, settle in, get comfortable, and stay there. Personally, I like my little YA Fantasy bubble, but occasionally I’ll branch out into sci-fi or middle grade fiction or poetry. There’s nothing wrong with bubbles, it’s just that… well, if you stay in them, you’re missing something.

It’s just like music. You can spend your entire life mastering one instrument, but by doing so, you miss everything else. You miss an entire world of skills, songs, and beauty. I’ve spent about ten years of my life taking piano lessons, and it’s taken me that long to realize that there is so much more out there. Music is more than mastering one classical song after another. There are hundreds, probably thousands, of other instruments. And if that’s not enough, there is so much more you can do with music. You can compose a film score. You can be in a band. You can become a YouTube star. You can conduct an orchestra. You can write Broadway musical.

The same goes for writing. You don’t have to stick with your genre, for example, YA Fantasy. You could try writing for middle grade instead. Or branch out even farther and try sci-fi, or historical fiction, or horror or contemporary or thriller or romance.

Or, if you’re especially brave, you could venture outside the fiction bubble. Try nonfiction. Write a memoir, a biography, a cookbook, a Bible study. Or… don’t write a book at all. Write movies. Write plays. Write Studio-C-style sketches.

And if you really want to get outside your bubble, don’t use words at all. Write music to tell a story. Paint a masterpiece. Perform a dance.

See, storytelling is so much more than writing. Every author, every poet, every screenwriter, is telling a story. Every artist, every composer, every dancer, has a story to tell the audience. Creativity is a gift, a means to express yourself, to share pieces of your heart. Use that gift. Even though not everyone tries to tell stories, that’s usually what ends up happening.

Think about it. Traditionally speaking, every book has a theme. Every song has a chorus. Every painting has a focal point.

I’m not saying you should try something outside your bubble. But why not? Don’t let fear hold you back. Don’t tell me you’re not good enough. With experience, you’ll grow. Every storyteller starts out as an amateur.

I’ll close with a quote by J.R.R. Tolkien. I always go back to this quote, and it sums up storytelling pretty much perfectly:

“We have come from God, and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light, the eternal truth that is with God. Indeed only by myth-making, only by becoming ‘sub-creator’ and inventing stories, can Man aspire to the state of perfection that he knew before the Fall. Our myths may be misguided, but they steer however shakily towards the true harbour, while materialistic ‘progress’ leads only to a yawning abyss and the Iron Crown of the power of evil.”

-J.R.R. Tolkien

What’s your writing bubble?

Have you ever tried anything different?

The Paradox of Free Will

Happy summer, everyone! Today I have something a bit out of the ordinary… This has very little to do with writing, but I’ve been thinking about it a lot lately, so I might as well share it with you all.

Free will. It’s the source of many debates, scholarly books, and carefully-formed opinions and worldviews. As Christians we know that God is sovereign, that He controls everything… but we also are free to make choices. If everything is predestined, if God has known since before the beginning of time precisely what will take place in the universe, right down to our most mundane choices… then do we really have free will?

Disclaimer: I’m not a theologian. I’m not saying I’m right. I’m merely offering you a simple metaphor.

the paradox of free will (2)

Let’s start with this. Sometimes I like to break the fourth wall. Actually, what’s more fun is not even breaking it, just touching it a little, acknowledging that it’s there. Like this little dialogue between two characters from my first novel:

“What if I’m just stalling?”

“Why would you stall?”

“Because it’s always what happens in all the books.”

“Is this a book?”

“What if it is? If this were a book, the author would be controlling our every action and everything we say. Do you have free will of what you say and do?”

“Yes.”

“Then it’s not a book.”

See the irony? Heheheh. My characters have no idea what they’re talking about. But, just for a moment, let’s actually consider it. Consider an author. This author is writing a book, yes? But the question is, do the characters in the book have free will?

Well… yes, they do, obviously. That should be a “duh” question. The characters make their own choices, whether good or bad, and one way or another, they endure the consequences of those choices.

But then again, doesn’t the author already know what they’re going to do? That’s kind of what an author does, you know? The author has complete control over what happens in the story, and yes, that includes characters’ actions and thoughts. That doesn’t really give the characters much freedom if the author is controlling them, does it? Hence, the paradox: Yes, the characters have free will, but the author still has sovereign control.

“looking to Jesus, the founder and perfecter of our faith, who for the joy that was set before him endured the cross, despising the shame, and is seated at the right hand of the throne of God.”

Hebrews 12:2 (ESV)

God is the founder of our faith. Some versions use the word author instead of founder. God is not only the founder and perfecter of our faith; He is also the Author of Life, and we are all characters in His story. This story has been going since the beginning of time, since that moment God said, “Let there be,” and there was.

Unlike the stories I like to write, and every other story in existence, God’s story doesn’t end. It doesn’t have “The End” stenciled in fancy lettering on the last page. It will go on for eternity.

It’s not the answer to this puzzling mystery, but it’s a way to look at it. It’s a way to wrap our minds around a tiny piece of it. The mystery of God’s sovereignty and our free will may never be explained fully, maybe not even for all of eternity.

Maybe paradoxes don’t bother you. But if you’re anything like me, you can’t let them rest. But I can rest in this: God is sovereign, and His knowledge encompasses this mystery and countless others. God, my Creator, has written – is still writing – His story.

What do you think? Is author/story context a good way to look at God’s sovereignty and our free will?

The Power of Empathy: How to Keep Readers in Thrall

Funky 6Hi everyone!! Today, I have a very special post… I am absolutely THRILLED to have Angela Ackerman on my blog! She’s here to talk about character empathy. So, without further ado, I’ll hand things over to her. 🙂

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Gluing readers to the page. This is a writer’s goal each step of the way, from gaining the attention of an agent, to compelling an editor to make an offer, and finally, to enthralling an audience. We strive to make people experience something powerful when they read our words. To genuinely FEEL. To care.

Sounds…um, not easy? I know! Building empathy requires skill, knowledge and practice. Writers must become deeply in tune with a reader’s emotions and learn how to use these feelings to bind them to the story.

 

Girl with booksMake Outsiders Become Insiders

When a reader opens a book, they have certain expectations. They know the book’s genre and the jacket copy offers a peek into what the storyline is about. However, at this point, they are still Outsiders. They have not yet invested in the protagonist or their journey. The author has a narrow window of time to draw readers in and convert them into close confidants. Insiders.

Encouraging empathy is the way to make this happen. When readers are brought into the hero’s or heroine’s point-of-view, they not only begin to understand the character’s world, they actually can share their experiences, something done by keying into real human experiences.

Each of us knows how it feels to make a mistake, to screw up in a way that disappoints others and ourselves. Likewise, we also know what it is like to face a difficult challenge and triumph, proving to ourselves and others that we are capable and worthy. These are two situations out of infinite possibilities that readers will read and recognize because they too have had these experience and felt the emotions that go with them. When a writer shows emotion-bound experiences like these through the character’s eyes the reader connects to them and the character. They remember their own past experiences and it created a sense of shared understanding—brotherhood. And this allows empathy to form.

Empathy is a powerful bond where a reader invests in and cares for the hero or heroine. The character is more than a name on a page; they take on bones and shape, and become someone worth caring for. This emotional investment means a reader will feel discomfort and anguish at the losses and excitement and satisfaction at the wins. Whenever readers find themselves caring about what is at stake, the author has succeeded at making them Insiders who root for the protagonist all the way to the finish line.

 

5 Ways To Encourage Reader Empathy

Humanize your character. Real people have strengths, flaws, and weaknesses. Characters must also have a blend of these. They should be imperfect and make mistakes, but also be likable. Give your hero at least one commendable trait that makes him worthy to cheer for.

Get inside their bones. Make your protagonist believable by giving him realistic desires, emotions, thoughts, and fears that an audience can relate to. These commonalities will resonate with the reader’s own beliefs and feelings, reinforcing that bond. Allow the character’s self-doubt to bleed through to some degree, showing the reader his vulnerable side.

Clearly define the needs, goals, and stakes. Scene to scene, readers must always know what the character is fighting for. Leave no doubt as to what he is trying to achieve, why, and the cost of failure.

Hobble characters through challenges that readers will sympathize with.  Readers bring their own life experience to the book, so use it. Story conflict and personal stakes will remind readers of their own past where they faced similar roadblocks. Pile on challenges, make the hero sometimes fail, but also show growth and successes on the journey.

Never betray the reader’s trust. Writers must know their characters inside and out, and make sure their actions, thoughts, and beliefs align with who they are. If a character acts in a way that does not fit his nature, the reader will feel betrayed. Dig deep. Get to know the character, including what past wounds haunt him. And always plot with intent. Manipulating a character’s choices or actions just to bring about a plot twist or complication will always ring false.

Remember, well-drawn characters are worth the work of developing because they are the ones readers can’t forget…not a week after reading the story, or a month, or a year.

 

What are some of the stand-out characters you love? What drew them to you and caused that empathy bond to form? Let me know in the comments!

 

 

Angela Ackerman

Angela Ackerman is a writing coach, international speaker, and co-author of the bestselling book, The Emotion Thesaurus: A Writer’s Guide to Character Expression, as well as five others. Her books are available in six languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. Angela is also the co-founder of the popular site Writers Helping Writers, as well as One Stop for Writers, an innovative online library built to help writers elevate their storytelling. Find her on Facebook, Twitter, and Instagram.

 

 

Introducing: Inferno’s Melody

Happy December, everyone! I don’t know about you, but I always get really excited about Christmas. I love picking out a Christmas tree, and decorating it with my family, and baking Christmas cookies and making a huge mess in the kitchen. It’s the best.

I like to use December to get a break from whatever story I happened to be writing for NaNoWriMo. You really do need that break, even if you don’t feel like it. I desperately want to keep working on it this month, but I’m taking a break anyway. I’ve got a couple of other deadlines I have to keep track of for other stories.

I wanted to write more posts last month, but, you know, NaNo keeps you pretty tied up. But today I thought I would tell you how it went. I thought I’d officially introduce you to my newest novel: Inferno’s Melody. I have never told anyone about a book two days after I finish writing it. Never. I almost didn’t post this today. I feel very vulnerable, baring my heart like this. But I think this is something I need to say.

Inferno (1)NaNoWriMo pretty much never goes the way I expect. This year, I’d expected it to be an epic mad dash of writing day after day and a brand-new story emerging from the smoking ashes. Well, I guess that technically happened, but not in the way I’d expected. You see, this is the third novel I’ve written, and I’ve come to expect the newest one to always be my favorite. I was in love with my first novel until I wrote the second one. And yes, I am in love with the story I wrote last month, but my heart isn’t quite there yet. Ironically, that’s exactly what the story is about.

I’d like to ask you all a question: WHY do you do what you do? Whether it’s writing, playing music, art, or another passion you have, why do you do it? What drives you? Do you do what you do for yourself, or do you do it for someone else? Why do you sit down and work at it day after day, even though it can be extremely frustrating at times? I think all of us have at least something that fits these standards. But what makes us do what we do?

For me, that thing… is not writing. *gasps from audience* I figured that out a few months ago, and, well, I decided to write a story about it. Leave it to me to make my entire life ironic. Now, don’t get me wrong here: I LOVE writing. It IS a passion that I have, and I AM driven to do it every day, no matter how hard it gets. But it is not my greatest passion, and here is how I figured it out:

This passion that you have, would you follow it to the end? Would you live your entire life in dedication to this passion? Would it be worth dying for? Or is it not quite that strong?

Writing, for me, does not meet these standards. Not by a long shot. It’s like trying to compare a candle to a bonfire. It can’t be done. The difference is so great, it just wouldn’t make sense. I found that there is another passion that I have. But I was trying to use writing to satisfy it. It seems to work most of the time, but I think later on, it won’t be enough anymore.

God’s love is perhaps one of the most compelling things I have ever known. And really, I think I’ve always known that. It took three novels for me to be able to say it outright like this, but it’s a theme that’s come up again and again in every single one of my stories:

A man dying for his enemies.

A boy being driven by fear until he finds that love is much stronger.

A girl devoting her entire life to a cause until she realizes that her heart is empty.

They are all the same story, and all of them are about me. No, I have never died for my enemies. But I would, if my passion led me there.

Yes, I have been driven by fear. It’s a terrifying ordeal. The thing that finally set me free was the Truth – and I promise, love is much stronger than fear.

Have I ever devoted my entire life to a cause, then realized my heart was empty?  I’m praying that I won’t.

You see, all of these characters had to discover something. They had to discover their passions. They had to discover love. When I say “love” I hope you aren’t envisioning the sappy, romantic love portrayed in the media – I hope you’re envisioning a desperate madness that extends far beyond the boundaries set up by this world. Yes, I have experienced this kind of love before. I have a Savior who loves me like that, more than I could ever imagine. And He has allowed me a very small taste of what it’s like to love someone or something else like that.

I want to say right now that whatever happens, I will always proclaim God’s name. I will always extend the message of his love to everyone else. Because this is what compels me, and this is what drives me. God’s love is burning inside of me like a blazing inferno, too hot and too bright to keep shut up inside.

Its melody is intoxicating, and I will always sing it for the world to hear.

Inferno’s Melody is not just a story. It is real.

I really want to hear what your passion is. Why is it so compelling to you?

The Universal Truth

It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.

No, not that kind of universal truth. I’m pretty sure the above statement isn’t even true. Mrs. Bennett thought it was, but most of what she says is nonsense anyway, so we shouldn’t use her words as life advice. Today I’m here to talk about a different kind of universal truth. I apologize in advance if I ramble a bit, or if I use the same word four times in the same sentence. NaNoWriMo just started, and my thoughts are everywhere right now.

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I first learned about the Universal Truth from a wonderful lady named Kay Strom. (Her books are excellent, by the way.) According to her, a Universal Truth is like a theme, but it is way more specific. Stories, as you probably know, usually have a theme, that is, a recurring topic the book keeps touching on. It answers the question “What is this book about?”

Universal Truths are usually specific statements or messages about the theme. For example, let’s choose a common theme and look at how it’s presented in different books. I’m going to choose the theme of redemption, because that’s my favorite one. Right off the top of my head, two series (what is the plural of “series?”) with this theme are: Harry Potter by J.K. Rowling, and The Mission League by Jill Williamson. (I have not finished The Mission League series yet, so NO SPOILERS PLEASE!) Literary critics could analyze these two series and find a plethora of different themes present, but redemption is definitely present in both, so that’s the one I am going to use.

In Harry Potter, a recurring message we see over and over again is this: “Redemption usually requires a selfless act of love.” You know, when Lily did that thing to save Harry, and then later Harry did that thing to save other people. We also get a beautiful contrast between Harry and Voldemort – so similar, yet so different.

In The Mission League (or at least in the first book), we see a totally different statement: “God will keep pursuing you, no matter how long you try to run from him.” Like, throughout the entire first book, Spencer wanted nothing to do with God, but God kept showing up everywhere around him, and eventually Spencer couldn’t ignore it anymore. We also get an interesting contrast here with the villain, but I’m not gonna spoil it for anybody. Plus, who knows how it turns out in the rest of the series.

Both of these series have the same theme, but what they’re saying about them is different. And that is what makes a Universal Truth, my friend.

I’ve spent a lot of time trying to figure out what Universal Truth I’m presenting in my story. It was hard at first, because I’m a pantser who doesn’t know squat about the story before I start writing it. As it turned out, I couldn’t pin down my Universal Truth until I had experienced its trueness firsthand. Oh, it was definitely present in the story – I just couldn’t see it yet.

There is no fear in love, but perfect love casts out fear.

-1 John 4:18a

That’s it. A simple statement, not even a full verse. It’s a Bible verse that I’ve known since childhood. Of course I’ve always believed it’s true. But up until recently, I hadn’t actually seen it applied to a real-life situation.

The thing about Universal Truths, to me at least, is that a story wouldn’t be worth anything without one. In the tens of thousands of words that make up my book-in-progress, 146 of them make up a paragraph towards the end. And this one paragraph is where the Universal Truth is revealed. Without this one paragraph, none of the other words matter. Without the Universal Truth, the story is nothing, the characters struggled in vain, and I wasted an entire year of my life writing an empty story.

Even though all stories have a climax, where the tension has never been so high, and everything finally comes together, the Universal Truth is like a climax of its own. Even if it’s woven all throughout the story, there is always a place where the reader stops and says, “Oh. This is what I’ve been reading about. This is what the author wanted to say to me.”

Kay Strom says that Universal Truths should always point to God. They should go beyond the story itself as they transfer the author’s passion to the reader. And really, isn’t that the reason authors write at all? Because they are passionate about something, and they want the world to see it too?

Is there a Universal Truth in your story? How is NaNoWriMo going (if you’re doing it)?

The Difference between Salvation and Redemption

I’ve been doing a lot of character development lately. It’s my new favorite aspect of writing. I’ve been reading a lot about the different Myers-Briggs types (and yes, each of my twelve main characters is a different type), delving into backstories, and figuring out their inner motivations.

My latest endeavor is to answer this question: What is it that drives them? What are they seeking, and hoping to find? These questions are closely connected to their inner motivations. Of course, all of them are driven by something different. No one is quite desiring the exact same thing, although they share the same external goal for the story. They all have different histories, and different character arcs. Every single one of them has a unique internal longing.

That being said, of course some of them will be similar. For example, and this is the main point of this post, two of my characters are seeking almost the same thing. I’ll call them Character A and Character B, for the sake of character-author confidentiality. For some odd reason, most of my characters have a habit of having intricate, secretive backgrounds which somehow always end up playing vital roles in future stories that haven’t been written yet. So, for the sake of a spoiler-free post, I will tell you their stories but not who they are. Get to the point, you say. What do these two characters want?

One of them is seeking salvation, while the other is seeking redemption. I had to stop and think about this after I wrote it. Don’t the two words mean the same thing? More often than not, they are used synonymously, especially when referring to the Christian faith. But no… they are not really synonyms. The root of the word “salvation” is “save,” and the root of “redemption” is “redeem.” Redeeming someone is very different from saving someone. Saving someone implies protecting them. From danger, perhaps. From death, even. Saving implies rescuing. But nothing more.

Redeeming someone, on the other hand, is more than just rescuing someone. Redemption involves a price. If you redeem something, you are buying it back. If you redeem something, it is yours. But it always comes at a price.

It’s easy to see why the two words are used synonymously when referring to Christ. Jesus, through his life, death, and resurrection, gave us both salvation and redemption. He saved us from death – by taking sin upon himself – and serving the punishment for that sin: death. And because he paid that price for us, he redeemed us from sin. He bought us back to be his own. And now, if we believe in him, we not only are saved from death, but we belong to him. We are his children.

In the cases of Character A and Character B, one of them is seeking redemption, but the other is seeking salvation. This too is easy to see. Character A grew up in a dysfunctional family. As a child and teen he was abused – both physically and emotionally – by his parents. He was bullied by other children. He was wronged in a lot of ways, and this traumatic past has shaped the rest of his life. He doesn’t trust anyone but himself, not even God. In fact, he wonders if God exists at all. He wants salvation.

Character B, on the other hand, is haunted by a past she no longer wants any part of. She’s made mistakes; she’s been lured in by sin’s enticing temptations. Her sin hurt the people in the world she loved most, not to mention herself. She’s mad at God and feels she doesn’t belong anywhere, not even in the shelter of God’s love. She wants redemption.

So there you have the difference between redemption and salvation. Salvation is a rescue; redemption is a purchase. Character development is definitely one of the harder things about writing, but it’s also one of the most fun and rewarding aspects too.

My favorite resources for developing a character’s backstory or motivations are the Emotional Wound Thesaurus and the Character Motivation Thesaurus (both are from Writers Helping Writers. I’m very excited because The Emotional Wound Thesaurus is going to be released sometime this October!!) Even if you don’t need them as writing resources, check them out anyway. They’re awesome.

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Plot happens when many characters’ journeys cross paths.

A character’s journey, for me, quickly becoming more important than the plot of the story. It makes sense… the characters are the ones interacting with the plot. A lot of the time, the characters are the ones creating the plot in the first place. What would Pride and Prejudice be if Darcy wasn’t so proud in the beginning and therefore had no character arc? Or think about how the numerous plots of Downton Abbey would be different if none of the characters had distinct backgrounds, motivations, and personalities. No story would be the same without these elements. Characters are one of the primary driving sources behind any story.

I’m curious to know… have you done any interesting character development? And do you have any favorite books with well-developed characters?

Leave a comment

The Last Hurrah

Hello, friends, and welcome to the Monthly Theme! You probably noticed that my blog looks different. I was bored, so I redesigned it. I think that now it echoes my personality more.

I know I haven’t done a Monthly Theme in quite a few months, so really it shouldn’t be called “monthly.” But I came up with a pretty good one for the month of August…

Adventure!!

This may seem like a strange one to choose. As you know, by the time August comes around, summer is winding down, and the month is full of hot, dreary days.  By the time August comes around, we look forward to the cool, crisp promise of fall and the start of the new school year (or not…). By the time August comes around, we’ve done all of our fun summer stuff. It doesn’t even have any holidays.

I hold a different view. August, to me, has always been sort of a last hurrah. It’s always an exciting month. A few Augusts ago, I started writing a story. That story led to another story, which in turn led to another… the story kept growing bigger in my mind, and now I have an entire saga waiting to be written. This August in particular, I’ve felt very productive in my writing. It’s definitely been an adventure… I’ve been working on a LOT of character development (I hope to do a related post soon), a bit of plot development, and the story has been generally sitting on my mind. Last August, I went to Camp Attitude, which always holds tons of new adventures. And there’s always a church-wide camping trip at the end of the month (which I just got back from a couple of days ago). Not to mention that epic solar eclipse we had last week.

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Aside from personal adventure, there is adventure to be found in lots of fictional works. It’s a fairly common theme, if you could call it a theme, and even stories that don’t focus on adventure as a main part of the story at least contain hints of it. Adventure is associated with taking risks, with excitement. It’s associated with new experiences and the rush of adrenaline. Now, if you are positively paranoid about anything that promises danger and have no desire to do anything out of the ordinary, then perhaps a life of adventure is not for you perhaps Gandalf will invite thirteen dwarves to your house and you will get roped into an epic quest.

I think everyone, though, (yes, even Bilbo) longs for some sort of adventure. Something bigger than their ordinary lives. Like Belle from Beauty and the Beast. Even if we don’t know it, we all know we were meant for more than this provincial life. (Hint: It’s because God made us that way. He designed us to live in a perfect world with him. We’re the ones who messed it all up.)

While our thirst for adventure can lead to moments of self-discovery, it can lead us into all sorts of other stuff too. Oftentimes, this is how characters start their journeys. The character wants an adventure, so he goes and finds one, and bam!, there’s a story. This isn’t the case all the time – sometimes a character is thrust into something without a choice. But consider the following questions:

Why was Lucy snooping in somebody else’s wardrobe?

Why did Harry trust a perfect stranger to take him to school?

Why did Christine agree to go with a creepy masked phantom?

Why did Neo choose the red pill?

Why did Roland stop fleeing his pursuers to help Mercy?

(That last question is from the first scene of my book. :D) There are answers to all of these questions, but the most simplistic answer is that they all wanted an adventure. They all believed that something bigger was out there. And that’s the key word here: belief. If Lucy didn’t have that child-like faith, she never would have been able to get into Narnia. If Harry didn’t believe what Hagrid told him, he never would have made it to Hogwarts. And so on.

So, while adventures presented in stories are somewhat romantic (meaning they are romanticized – that is, made out to be better or more illustrious than they actually are), adventures in real life are very different. Let’s face it: None of us will ever stumble upon Narnia. None of us will ever receive our Hogwarts letter. None of us will ever get roped into a magical quest. But all of us were made for more than this life we are currently living. And if we set out in pursuit of it, it will be an adventure.

Not the kind of adventure you read about in books, but the real kind of adventure.

One that lasts for eternity.

I’d love to hear about your summertime adventures! Also – do you have a favorite book where one of characters goes on an adventure?

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The Reason I Write

I know, I know, I’ve already written about this a billion times, but I’m writing this really late at night (early in the morning?) and I was for some reason awake pondering my life, when I realized I should dedicate an entire post to this subject. Plus, I don’t have anything else to write about at the moment, so why not this?

I’ve already told you the reason I write, and that reason is God. Let me go into greater detail:

I have a story I’m writing (trying to write) right now. You can read my post about the story here. Well, it isn’t going anywhere. I am stuck. I guess you could call it writer’s block, although that’s not all it is. I’m not motivated. I don’t know how to write what I want to write. I desperately want to finish this story, and I want to finish it well, but I just don’t know how. I don’t know what I’m doing anymore. Sometimes I don’t even know why I’m doing it in the first place.

Sometimes I wonder why I want so badly to finish this story. What is it about this story that I have to finish? Why was I so passionate about it when I first began? Why should I want to finish it now?

adult-1869621_640I’ve written for a lot of reasons over the years. I wrote a lot of stories for other people. I gave them as gifts, because I liked creating things and then giving them away to make other people smile. As I grew older, and I started writing more often, I discovered something that changed the way I viewed my writing. I wanted to write deeper stories, stories with more meaning. I no longer wanted to write for mere entertainment; I wanted to write about Truth. I no longer wanted people to enjoy my stories as gifts to them; I wanted their lives to be changed as they saw some deeper meaning in my fictional stories.

I started writing about the Gospel.

And that is still why I am writing today. Sometimes I get off track and start writing for a different reason. It is then when I lose my passion and sometimes my desire to write at all. And as I search for the why, for the reason behind my story, God ALWAYS brings me back to the Gospel. When I see it laid out before me like that, it could not be simpler. The Gospel is, and always will be, the reason I write. Its Truth is so compelling that I must write about it. I have to write stories about the Gospel. I can’t explain it, except that I know that God is real and that he loves me. He is Truth, and I must write about Him.

What is the reason you write? (and writing is not limited to fiction.) Also – are you going to participate in Camp NaNo this July?

Evil: Villains and How They’re Presented

Hi guys! Whose life is super busy right now? Mine is. That’s why I haven’t been able to post anything for… yikes, a long time. ANYWAY, I finally have this month’s Monthly Theme planned out. This month’s them is Evil, and I’ll tell you why.

Next month is Easter. So, next month I’m going to do the theme of redemption. But in order to understand it, you have to see what we’re being redeemed from. Thus, this month I’ll be looking at evil. Plus, I’ve wanted to write a post on villains for a while. So here we go.

There are so many villains out there… Lord Voldemort, Darth Vader, Prince Humperdinck, Professor Moriarty, Inspector Javert, the White Witch, Agent Smith, Loki… (apparently lots of them have titles in front of their names… except for Loki.) There are also some stories with multiple villains. Like, I don’t know… maybe something like LORD OF THE RINGS?! You’ve got Sauron, Sméagol, Saruman, Gríma Wormtongue, the Orcs, the Uruk-hai, the Witch King of Angmar, plus the rest of the Nazgûl, and if you want to consider the entire history of Middle-earth, you’ve also got Morgoth, (confession: I have never read The Silmarillion, so when I read it, I will give you the list of all the villains), not to mention Balrogs, giant spiders, fickle wood-elves, goblins, unfriendly residents of Laketown, Azog and Bolg, and last but not least, Smaug. (Come on, you should know by now that I can never pass up an opportunity to mention Benedict Cumberbatch.)

smaug-1313491_640

aw look, it’s cute little smaug

I don’t know why, but I’ve always liked writing villains. Let me define what I mean when I say “villain,” because I have very specific criteria that all my villains have to meet…

  1. They have to be male. I don’t know why, but I just can’t see myself writing a female villain. I have nothing whatsoever against female villains, and lots of my favorite stories have female villains. It’s just that I don’t like writing them.
  2. They have to be evil. There are all different types of villains out there, and different ones work for different genres. For some stories, the villain may not be evil at all, like Biff from Back to the Future. In other stories, the villain may be the personification of evil itself… like Voldemort. For me, I always have to have the Voldemort type in my stories.
  3. I’ve always read that the villain should have a backstory that defines who he is, and that he should have some sort of motivation to oppose the hero or whatever he’s trying to do. In other words, he shouldn’t just be evil for no reason at all. Maybe you know that he wants to take over the universe but you don’t know why. (I’m guilty.) And… this is always a problem I have. I NEVER know why my villain is the way he is. But, a couple weeks ago, I figured out his entire backstory and now I’m SUPER excited about it!! No, I will not be giving you any spoilers.

Anyway, I’ve always liked writing my very specific villains. But there is more to evil than villains, just as there is more to good than heroes. The villain and the hero are mere representations of very real things in this world. I once wrote an essay for school on the nature of good and evil. It’t too long to recount here, but in it, I emphasized that the entire world has fallen short of perfection. We are all sinners; therefore, we are all evil. All sin is evil in God’s eyes. All of us have given into temptation; all of us have chosen to follow another god besides the Creator of life; all of us have chosen sin over righteousness; all of us have been born into this sin nature; and all of us will die like this. Everyone in this world is a sinner; therefore everyone is destined for eternal punishment. There is no hope for us. Evil rules our lives and there is no escape from its bondage. We are, and always will be, slaves.

Unless a Savior comes to redeem us.

Unless our Creator himself comes to pay for our salvation.

But I’m getting ahead of myself.

There should be a sort of desperation when we realize how evil we truly are. When we realize that this evil has been holding us captive ever since Adam and Eve sinned long ago in the Garden of Eden.

star-wars-1204193_640I think villains are meant to portray this. Bad guys are there to provide conflict for the story, yes, but there is also something more. What happens if the villain wins? Hmm? Think of your favorite story. Now ask yourself, what would have happened if the villain had won?

I don’t know, it depends on the story. Sauron would have ruled Middle-earth and everyone would have been his slaves. Voldemort probably would have killed everyone and taken over the wizarding world. If Biff had gotten his way, Marty’s life – and the entire space-time continuum – would have been ruined forever. If Prince Humperdinck had won, Westley would be dead and Buttercup would have been doomed to a horrible life of misery. And if the White Witch had won… never mind. Don’t even get me started on Narnia. There is sooooo much symbolism in the story, I don’t even know where to begin. Needless to say, all of Narnia would have perished in fire and water, borrowing her own words.

Do you see that? That’s desperation. Most people classify the things listed above as “stakes.” In any good story (and this applies to most genres), there are high stakes. The hero has to win. It is this fact that forces the hero to fight against the evil. We instinctively know that evil is not natural, that it was never meant to be. And when it threatens to become the highest power, we know we have to fight it until there is nothing left in us to fight with.

Villains are people who represent the very real presence of evil in our world. They are a sort of twisted reality – they are a nature contrary to what was meant to be in the beginning of time.

That’s all I have for now. I don’t know if this post will end up having more parts to it or not, but rest assured that I do have a couple of things planned for the month of April, and they are very compelling issues, so I will be forced to write them. I’ll probably have a ten-part series next month, knowing me, but I guess we’ll have to see.

Do you have a favorite villain? Why do you like them specifically? What would have happened if they had won?